Gain fresh perspectives with APG and associate curator Gregory Harris for an inside look at the High Museum’s current photography exhibitions: Look Again: 45 Years of Collecting Photography and William Christenberry: Time & Texture. Harris will give an insider’s look at both exhibitions. It’s a great opportunity to visit and discuss the exhibitions and with the curator.
Join artist and curator Beth Lilly as she presents the work of today’s most influential photographic artists. This three-part workshop will not only look at the work of both fast-rising and well-established artists but will also review and analyze how they present their photographs in exhibitions and on websites.
In this two-part workshop, Dawkins and Casadonte will speak on topics such as approaching galleries, developing relationships and networking, and professionally presenting your work. Following discussion, each artist will have the opportunity to meet with Dawkins or Casadonte for a 15-minute portfolio review session.
Led by Atlanta-based photographer and educator Allison Jarek, this workshop will help to explain and clarify various archival presentation techniques, including matting, mounting, floating, and framing. Jarek will also give in-depth demonstrations on how to cut your own mattes and mount your prints using an archival positionable mounting adhesive.
Part two of the Directions in Contemporary Photography workshop is structured around understanding the institutions, galleries, publications, and blogs that collect and disseminate the world of photography around us.
Led by Atlanta-based photographer and eductor Alex Christopher Williams, this workshop is an introduction into photography's contemporary issues, materials, practices, presentations and styles. This class deconstruct the fundamental elements of a photograph, while reviewing a list of photographers who exemplify each element.
This two-day resource workshop is led by photographer and master printmaker John Dean, and will consist of discussions, presentations, and hands-on demonstrations of various alternative printmaking methods that combine 19th century photographic processes with 21st century digital workflows and materials.
Susan Bridges and Forest McMullin lead a special two-part workshop, discussing how to approach galleries and professionally present your work, followed by a 15-minute portfolio review session.
This workshop is designed to help participants craft well-written artist statements that are accessible and concise for their viewers. Participants will be introduced to key elements of writing an artist statement, learn common pitfalls to avoid, and engage in a writing session to improve their current statements.
This workshop, led by Atlanta-based photographer Michael Reese, is designed for artists trying to finish a photographic project. Through critique, portfolio reviews, and assessment of personal goals, Reese will guide participants in making critical decisions that will take their projects to completion.
This workshop will help to explain and clarify various archival presentation techniques, including matting, mounting, floating, and framing. Instructor and Atlanta-based photographer Allison Jarek will also give in-depth demonstrations on how to cut your own mattes and mount your prints using an archival positionable mounting adhesive.
This workshop is designed to take a photographer from an introductory exposure to Lightroom 6 up to an intermediate-to-advanced level in the Develop module, via multiple image editing exercises. Participants will learn how to unlock the vast trove of image data contained in raw format photo files to create powerful and compelling photographic fine art images.